Directed by Bruno DumontFrance | 1997
While the title alludes to the religious, Dumont is primarily concerned with flesh. Lazarus’ resurrection was a miracle of flesh and subsequently Freddy’s development is informed by the same substance. Throughout the film he takes frequent tumbles from his moped, either through carelessness or scorn of care, and his skin is subsequently damaged and marked. These fresh wounds offer him avenues of inquiry into his own being.